Professional Development And Reflective Practice Education Essay

Professional Development And Reflective Practice Education Essay Counsellor self-awareness has been frequently emphasised as a critical professional competency for all counsellors (Remley Herlihy, 2007). To support this key competency, reflective practice is an important means of supporting self-awareness in students and beginning counsellors. This paper will look at some definitions of reflective practice, and how it is far more than just thinking about what has happened. Reflective practice is an approach used in counselling and other health professions where models of reflection offer a way to evaluate applied learning: it is a method of refining skills and expertise by scrutinizing actions while they are being carried out, and then assessing them through discussion, writing exercises such as journalling, similar assessments or by professional supervision. Reflective practice has been developed in a variety of fields over the last few decades, most markedly in professions where interpersonal relationships are central and a high degree of intuitive judgement and decision-making is needed. Because of this, counselling and teaching make great use of reflective practice methods, along with community and youth workers, and allied health professionals. Professional practice was pioneered by Donald Schà ¶n in the 1980s. Several models exist, but basically reflective practice and learning involves growth and development as a professional by considering at an event or incident, understanding it and learning from it. Different models may emphasise different areas of reflective learning, or broaden the process to include a range of peers, communities and professional or learning colleagues Reflective practice is a continuous process and involves the learner considering critical incidents in their life experiences. As defined by Schà ¶n, reflective practice involves thoughtfully considering ones own experiences in applying knowledge to practice while being coached by professionals in the discipline. It has been described as an unstructured, self-regulated process approach directing understanding and learning. Reflective practice as a way of working that involves acting consciously and deliberately on the basis of critical insight and understanding. A reflective practitioner needs to develop an awareness of new ways to look at situations, consider new opportunities and techniques, and finds fresh means to challenge states an circumstances. A reflective practioners is a Iifelong learner, as each experience will shape their practice and approach. A belief which underpins reflective practice is that counsellors should consolidate or frame our understanding. Framing is an inevitable thing: There is no way of perceiving and making sense of reality except through a frame, for the very task of making sense of complex, information-rich situations requires an operation of selectivity and organisation, which is what framing means à ¢Ã¢â€š ¬Ã‚ ¦(Schà ¶n, 1994, p29). To be reflective does not imply disregarding all assumptions and prior opinions. Instead, it is about being aware of what practioners bring with us when we meet with others. Reflective practitioners must be able to put themselves in the shoes of other actors, but and they must also have the complementary ability to consider how their own frames may contribute to problematic situations (Schà ¶n, 1994, p187). Reflective practice is consequently something that takes persistent and constant time, commitment and practice. To help counsellors, particularly as beginning counsellors, this can be where an good supervisor is so important, inspiring the counsellor to grow as a person and a professional, to think and act outside of the box and avoid falling into self-deception or pitfalls. An continuing commitment to education and also an essential basic requirement to aid this growth and development. In reflective practice it is possible to distinguish three different phases. Schà ¶n (1983) distinguished between reflection-in-action (at the same time as the practice takes place) and reflection-on-action (afterwards). reflection on practice which involves stepping back from an experience and exploring (a) what happened (b) what can be learned from it and (b) what should be done next time. This approach is used widely with students in various disciplines who are encouraged to keep a journal of learning experiences and their practice implications. Kolbs learning circle (experience _reflection _ making sense _ planning for action) is a common tool used by supervisors to help students learn this process in systematic form. Secondly, there is reflection in practice which involves being aware and conscious in the here-and-now moment; i.e. during supervision/counselling as its actually happening. This is, in some respects, an advanced-level application of reflection on practice and essential for those engaged in counselling and supervision approaches that involve working primarily with immediacy (e.g. psychotherapy: recognising transference, projection, parallel process etc.). It is also especially valuable for people working in crisis situations where conditions change rapidly and the ability to think continually on ones feet is critical. the difference between reflection on and reflection in is, in essence, the difference between What happened thenà ¢Ã¢â€š ¬Ã‚ ¦? and What is happening nowà ¢Ã¢â€š ¬Ã‚ ¦?. The practice dimension reminds us that for learning-through-reflection to become genuinely transformational, it needs to be applied. The role of supervisor, therefore, involves not only helping the counsellor to learn through reflection but to support application of that learning to enhance his or her counselling practice. When these dimensions are drawn together in continual process, the counsellor can be described as a reflective practitioner. According to Schon (1983), reflection-in-action is a rigorous professional process involving acknowledgement of and reflection on uncertainty and complexity in ones practice leading to a legitimate form of professional knowing (p.69). Reflection-in-action is defined by Schà ¶n as the ability of professionals to think what they are doing while they are doing it. the only way to manage the indeterminate zones of (professional) practice is through the ability to think on your feet, and apply previous experience to new situations. This is essential work of the professional, and requires the capability of reflection-in-action. Schà ¶n also offers his thoughts on how this kind of professional is produced. He describes a number of key concepts: The Reflective Practicum. a term for the educational setting, or environment: A practicum is a setting designed for the task of learning a practice. This is where students learn by doing, with the help of coaching. The practicum is reflective in two senses: it is intended to help students become proficient in a kind of reflection-in-action; and, when it works well, it involves a dialogue of coach and student that takes the form of reciprocal reflection-in-action.    Tacit knowledge: his comes from the work of Michael Polanyi3. He describes for example the remarkable way we are able to pick out a familiar face in a crowd. This does not require thinking about, or a systematic analysis of features. We cannot verbalise how this is done, and so the knowledge is unspoken or tacit.   Knowing-in-action derives from the idea of tacit knowledge. It refers to the kinds of knowledge revealed in the way we carry out tasks and approach problems. The knowing is in the action. It is revealed by the skilful execution of the performance we are characteristically unable to make it verbally explicit. This tacit knowledge is derived from research, and also from the practitioners own reflections and experience.   Reflection-in-action: reflection that occurs whilst a problem is being addressed, in what Schon calls the action-present. It is a response to a surprise where the expected outcome is outside of our knowing-in-action. The reflective process is at least to some degree conscious, but may not be verbalised. Reflection-in-action is about challenging our assumptions (because knowing-in-action forms the basis of assumption). It is about thinking again, in a new way, about a problem we have encountered.   Reflection-on-action: reflection after the event. Consciously undertaken, and often documented.   Willing suspension of disbelief: describes the process of entering into an experience, without judgment, in order to learn from it. Schà ¶n uses the term in relation to the idea of learning by doing. One cannot will oneself to believe until one understands. But understanding often will only arise from experience. So it is necessary first to allow the experience to happen.   Operative attention: listening and absorbing information, in a state of readiness to apply and experiment with the new information. An everyday example would be when we listen to directions on how to find an obscure address. This participation is important in the learning process a learner needs to be already engaged in activity for further information to have meaning. This in turn is partly derived from Wittgensteins5 contention that the meaning of an operation can only be learned through its performance. Hence mechanical or imperfect performance of an activity prepares the learner for new information (feedback) on that activity, in order to develop understanding.   The ladder of reflection: Schà ¶n speaks of a vertical dimension of analysis that can happen in the dialogue between learner and teacher. To move up a rung on the ladder involves reflecting on an activity. To move down a rung is to move from reflection to experimentation. This ladder has more than two rungs it is also possible to reflect on the process of reflection. The importance of this concept is in its potential for helping out with stuck situations in learning. Being able to move to another level may assist coach and learner to achieve together what Schà ¶n refers to as convergence of meaning.   Professional reflective practice is an intricate and challenging activity. It takes time, commitment and support, ongoing professional development and supervision to mature. It should leads to new action and a confirmation of existing actions. Reflective practice needs to be more than just thoughtful practice, it needs to be a continual process of turning practice into educational opportunities. Also very useful in expressing an approach to reflective practice is Kolbs experiential learning theory. Kolb (1984), a leader in the contemporary experiential education movement, defined experiential learning as the process whereby knowledge is created through the transformation of experience (p. 38). His model of experiential learning was based on the works of developmental theorists John Dewey, Kurt Lewin, and Jean Piaget. Ideally there is a learning cycle or spiral where the learner passed through a four stage learning cycle: first a cycle of experiencing, then of reflecting, thirdly thinking, and finally acting. Immediate or concrete experiences lead to observations and reflections. These reflections are then assimilated (absorbed and translated) into abstract concepts with implications for action, which the person can actively test and experiment with, which in turn enable the creation of new experiences. As learners continue to have new concrete experiences, by reflecting and thinking about them, we can plan, test hypotheses, and have a positive impact on new experiences. Kolbs learning circle (experience, reflection, making sense, then planning for action) is a practical tool to help students learn (Wright, 202) . (a) concrete experience, (b) reflective observation, (c) abstract conceptualization, and (d) active experimentation. The process of experiential education and learning begins with the concrete experience itself (e.g., participating as a member in a small group) and continues with intentional and guided reflection on or debriefing of that experience. Abstract conceptualization represents both the integration of learning experiences and the generation of new ideas. This might include identifying and understanding the monopolizing behaviour on the part of a group member and brainstorming ways to address it in the next group session. Through active experimentation, these new ideas can be tested and explored. the process of reflection is one of the necessary stages of learning (Kolb 1984; Bennett-Levy 2006) and therefore Part of clinical wisdom is reflection on practice. Supervision provides the reflective space in which to consider the difficulties and particulars of counselling, within a supportive relationship. Supervision provides the opportunity to develop skills and understanding, and provides an avenue for comparing different approaches to managing and conceptualising client problems. Supervision can provided the reflective space to help the supervisee learn about their own thoughts and feelings, and the effect of self on clients. As a beginning counsellor, there a variety of excellent refection strategies to assist in personal and professional growth and development, to help improve counselling skills, and to prevent burn out and being overwhelmed by worries and concerns of clients. Appropriate and effective supervision (as well as group and peer supervision), journalling, feedback from clients and supervisors, measures of client progress, and continued education. Padesky (1996: 273-4) wrote: The art and skill of therapy are best developed in a therapist who consistently analyses and learns from both positive and negative client feedback and outcome.

Distortion in Samuel Becketts Waiting for Godot Essay -- Waiting for

Distortion in Samuel Beckett's Waiting for Godot Distortion presents exaggerated and absurd portraits of the human condition.   Distortion also equips an author with a plane of existence that provides an avenue for posing questions concerning the nature of thought, behavior, and existence.   Samuel Beckett distorts reality in his play Waiting For Godot; this literary effect enables him to question human life and a possible afterlife. Surfacely, the recurrent setting is absurd: Vladimir and Estragon remain in the same non-specified place and wait for Godot, who never shows, day after day.   They partake in this activity, this waiting, during both Act I and Act II, and we are led to infer that if Samuel Beckett had composed an Act III, Vladimir and Estragon would still be waiting on the country road beside the tree.   Of course, no humans would do such things.   The characters' actions in relation to setting are unreal-distorted, absurd.   However, it is through this distortion and only through this distortion that we can guess at the importance and the details of the evasive figure...

Intelligent Agents Essay -- Computer Science

Intelligent Agents Abstract Intelligent Agents are software abstractions which potentially can make life easier and more productive for computer users. These agents are autonomous entities that can be asked to do tedious or complicated tasks for the user or unscramble the complexities of computer applications. "Many agents are based on the idea that the user need only specify a high-level goal instead of issuing explicit instructions, leaving the 'how' and 'when' decisions to the agent" 3. The agent either steps the user through the process at hand or goes off on its own and reports back with the requested information or completed task. Artificial Intelligence principles are used to program these agents. Introduction The modern computer era has brought with it a phenomenal volume of information. The internet in particular is comprised of far too much information for any one person to utilize. Therefore computer users must be able to use their time efficiently. One must be able to filter through all the information bringing back only pertinent, recent data quickly and easily. Also, as applications and hardware become more powerful and complicated, the user must be able to figure out how to master new tasks. These two challenges can be made easier with the use of intelligent agents. One example would be the following: A person wants to find a job in the computer industry as a programmer and decides to search the internet for available positions. Without the use of intelligent agents, the person would spend hours searching for every position having to do with computers and programming. A search query would return thousands upon thousands of links that would have to be weeded through to find the ones that were pertinent. An ... ...be expertly guided through complicated procedures by these agents. BIBLIOGRAPHY 1 http://www.networking.ibm.com/iag/iaghome.htm 2 http://nittany.ca.sandia.gov:8001/defs.html 3 http://cyclone.cs.clemson.edu/~mark/agents.html 4 http://www.advtech.microsoft.com/research/ui/persona/isbister.htm 5 http://www.doc.mmu.ac.uk/STAFF/mike/ker95/ker95.html 6 Maes, P. (1994b). Social interface agents: Acquiring competence by learning from users and other agents. In Etzioni, O., editor, Software Agents - Papers from the 1994 Spring Symposium (Technical Report SS-94-03), pages 71-78. AAAI Press. 7 Newell, A. and Simon, H. A. (1976). Computer science as empirical enquiry. Communications of the ACM, 19:113-126. 8 Shoham, Y. (1990). Agent-oriented programming. Technical Report STAN-CS-1335-90, Computer Science Department, Stanford University, Stanford, CA 94305

Defending Pro-wrestling Essay example -- essays research papers

As people flip through the channels on Monday nights they pass over at least two different professional wrestling shows. When people notice the wrestling the most common thing for them to do is to keep flipping the channels. Why? Because the common view of professional wrestling is that it is not real and it is stupid. Two years ago I thought the same thing about professional wrestling, in fact I refused to watch it. During the summer of my junior year in high school my boyfriend and I made a deal - he would watch The Little Mermaid with me if I would watch wrestling, so I agreed. We watched wrestling first and to my surprise it was not as bad as I thought. There are actual story lines that go on through the whole show,just like a soap opera such as General Hospital. The wrestlers I saw were amazing they were so muscular and talented. I was in shock because I thought that I hated wrestling more than anything...didn’t I? After watching it a few more times I became hooked and I have since learned all about wrestling and what a truly great sport it is. People assume that wrestlers are just faking all the moves they perform ,and that they really are not that strong. After watching wrestling for so long I have learned a lot about the wrestlers and their backgrounds. Many of the professional wrestlers played high school and college football. A prime example of this is my favorite wrestler The Rock, he played football for the Miami Hurricanes and was an All-American play... Defending Pro-wrestling Essay example -- essays research papers As people flip through the channels on Monday nights they pass over at least two different professional wrestling shows. When people notice the wrestling the most common thing for them to do is to keep flipping the channels. Why? Because the common view of professional wrestling is that it is not real and it is stupid. Two years ago I thought the same thing about professional wrestling, in fact I refused to watch it. During the summer of my junior year in high school my boyfriend and I made a deal - he would watch The Little Mermaid with me if I would watch wrestling, so I agreed. We watched wrestling first and to my surprise it was not as bad as I thought. There are actual story lines that go on through the whole show,just like a soap opera such as General Hospital. The wrestlers I saw were amazing they were so muscular and talented. I was in shock because I thought that I hated wrestling more than anything...didn’t I? After watching it a few more times I became hooked and I have since learned all about wrestling and what a truly great sport it is. People assume that wrestlers are just faking all the moves they perform ,and that they really are not that strong. After watching wrestling for so long I have learned a lot about the wrestlers and their backgrounds. Many of the professional wrestlers played high school and college football. A prime example of this is my favorite wrestler The Rock, he played football for the Miami Hurricanes and was an All-American play...

Analysis of as new park case study Essay

Analysis of as new park case study Introduction                   The planning process involves developers, communities, engineers, planners, and government. The involvement of all the stakeholders in planning process ensures that a project is positively implemented in the public interests (Carmona, 2010). The new project would commence as an improvement the old city. The old city was widely used by women and children. Although it was developed 30 years ago, it still remained as the best choice for the people living at its vicinity. It formed the best recreation centre for people during warm winter season. The new park would replace the old trees, grass, and build new shades and buildings that would be used to shade people during hot weather. The case involved closed down of the old city for 2 years and relocation of people living around the city to place where there were no social amenities such as schools and recreation centre. The case represents of unethical issues that pertains to urban planning evident through th e developers.                   The ethical issues include closure of the city and denying people their recreational facility. The new park development would deny people a chance to enjoy their recreational facilities, which is professionally unethical to a developer. In addition, the developer would be destroying people’s heritage on old trees and grass. The modern buildings would destroy the old trees and grass heritage in the new park. Moreover, it is not ethical to transfer people from their own comfort zone where they enjoyed social amenities such as schools, parks and other infrastructures such other shopping malls to a place where they no longer enjoy the amenities. The act is believed to on self- interests that do not care about other community. In planning process, it is important for planners and developers to consider professional ethics while executing their city planning so that respect between communities and the affected people is maintained (Allen, 2009).                   In this case, the most probable solution would be first to develop the area where the two communities would be relocated before relocating them. It would be most appropriate if the government could start by developing infrastructures such as roads, schools, hospitals, and recreational centres before displacing people in towns if the new park would not be avoidable. On the other hand, a new park could be developed elsewhere and the old one be renovated to maintain national heritage. Moreover, the old park renovation should not be closed for a long period and should developers should allow people to access the park even under constructions. The renovation of the park would ensure that the national heritage on traditional trees and grass would not be destroyed thus maintain it as way of protecting the countries indigenous species. This would ensure that people are not relocated from their original comfort zone. Consequently, development of area that the two communities were transferred would ensure that the communities’ living standards would not be affected except their geographical shift. The move would maintain the respect between the communities, planners, developers and engineers as their lives will not be affected.                   The solution approach where the planners would ensure that all the social amenities are developed before relocation would ensure that the professional code of ethics on the conscious on the right of a third party would be upheld (American Planning Association, 2009). In addition, the code of ethics on fairly dealing with all the people involved in the process will be highly upheld. However, the value of professional code of ethics on heritage will be violated through electing a new park and indigenous trees will be destroyed. The planners will have made sure that the decision making process involves all the party and thus no one would be negatively affected by the new project. Similarly, the second approach of electing the new park elsewhere would ensure professional code of ethics for planners to ensure social justice and responsibility not to disadvantage people would be upheld. This solution would ensure that people are not relocated and at the same t ime the national heritage is maintained. The value of heritage that is attributed to indigenous trees will be upheld while that of excellence design and updated design will be violated (American Planning Association, 2009).                   Both solutions would minimize the negative impacts of the planning in the city. However, the best solution will be to design and construct the new park elsewhere near the old park. The solutions to planning dispute safeguard the rights of the people and the professional ethics of the planners (Staatskoerant, 2011).The old park can only be renovated so that the heritage of the city will be upheld. Similarly, there would be relocation of people to new areas and thus they will be fairly treated and their lives will not be affected. In addition, the solution will ensure that people are not denied their rights to enjoy themselves during winter. Renovation for the old park could be done during summer when people are not using the park so that they would not be limited access during winter. The move will impact positively to people living there and would retain the respect of communities to developers.                   The solution would limit the planners, developers and engineers from implementing their own design and planning of the city. In addition, the people would not have a chance to enjoy a modern facility. However, there would still be a chance for them to construct a new park elsewhere in the city and increase the number of parks. One that would be rich in heritage and there other one would be modern. Although space and area allocation may be a problem, a new park elsewhere would stand out for this case. Conclusion                   In conclusion, it can be noted that planners, developers and engineers should highly consider professional ethics when carrying out new projects that would impact negatively to the public. All planning processes should involve all stakeholders and fair implementation of the project should be considered to avoid unethical issues that are evidenced in the case of new park development. References Allen, J. (2009).  Event planning: Ethics and etiquette : a principled approach to the business of special event management. Mississauga, Ont: Wiley. American Planning Association,. (2009). AICP Code of Ethics and Professional Conduct. Planning.org. Retrieved 13 May 2014, from http://www.planning.org/ethics/ethicscode.htm Carmona, M. (2010). Public places, urban spaces: the dimension of urban design. Oxon: Routledge. Staatskoerant,. (2011). Code of ethics and professional conduct for the urban and regional planning profession. Gov.za. Retrieved 13 May 2014, from http://www.gov.za/documents/download.php?f=147400 Source document

Multi-Disciplinary

Effects of Multi-Disciplinary Approaches There are various ways to approach and solve problems. Such approaches include multi-disciplinary perspectives and strictly disciplinary perspectives. To effectively solve a problem a person should gather an array of information from a series of different sources. When a person takes this approach towards a certain problem or situation, they are taking a multi-disciplinary approach. As defined in the Webster’s American Dictionary: College Edition, multidisciplinary is the â€Å"combining of several specialized branches of learning or fields of expertise† (Multidisciplinary 526).However, if one choses to â€Å"relate to a specific field of study† versus a variety of fields, they are taking a strictly disciplinary approach when resolving a certain situation or issue (Disciplinary 228). There are advantages and disadvantages to both a multidisciplinary approach and a disciplinary approach however one may find a multidisciplin ary approach to be more efficient. Advantages to a multi-disciplinary approach include being able to apply different aspects to a certain situation as well as weighing the pros and cons.When a person has a decision to make, they have a solution that they think is best for that decision. If multiple people add their insights to help make the decision, a better solution is made. By adding different aspects to a certain problem or issue, a better solution is resulted. Also, through a multi-disciplinary approach, a person is able to obtain ideas that have worked for people in the past and ideas that have not been successful to evaluate the best solution to a problem.A disadvantage to multi-disciplinary approaches is that with more aspects presented, it could take more time to reach a conclusion due to some people disagreeing with others. Nonetheless, a solution is usually eventually reached where most parties are satisfied. With certain societal problems, multi-disciplinary approaches o ften lead to better solutions. When there is a problem in society, society has to come up with a solution that will benefit everybody, not just a select few.If society used a strictly disciplinary approach to these problems, not everyone would be satisfied leading to other problems within society. By taking a multi-disciplinary approach to these societal problems, society has the chance to cater and please a greater amount of people. Taking a multi-disciplinary approach can lead to better solutions with a greater amount of people pleased but society cannot please everyone. Although a multi-disciplinary approach to societal problems is not the ultimate solution, it still has a better effect than a strictly disciplinary approach.When a person takes a multi-disciplinary approach, they are getting feedback and information from a variety of different sources. If many different aspects are presented in a situation, it allows someone to gather information and then decide what points they w ill use in their situation. For example when deciding what was important to make New Orleans an excellent city, our First Year Experience class researched different fields of study and components of a city to answer the question of what was necessary for New Orleans to strive.By taking parts of all the different fields of study including the arts, government, education and sports, and applying them to New Orleans, an excellent city with variation could be made. However, if New Orleans only focused on one field of study, the city would not have any variation. Although multi-disciplinary approaches usually result in better solutions than strictly disciplinary approaches, difficulties still arise with multi-disciplinary approaches. For example with more than one source being contributed to a situation, little problems could arise with not everyone agreeing with a conclusion.Also, when making a multi-disciplinary decision, one has to decide what aspects to use from others, making it lon ger to obtain a solution. Not all aspects presented in a multi-disciplinary approach are applicable to the solution that is being made as well. In a disciplinary approach, a person can make a decision quickly and easily but they lack the insight from others. For instance if a doctor needed help making a decision about what medicine to prescribe for their patient, he would not consult someone who is not educated to do so, but instead make the decision on his own because he is trained to.In this situation, a disciplinary approach may be the better option. Overall the advantages of a multi-disciplinary approach outweigh the disadvantages. Being able to obtain outside sources to solve a problem presents more information to make a better and more adequate solution to problems. A strictly disciplinary approach is still a good approach to certain issues but it does not always provide the best answer to the issue.Even though there are obstacles when making a multi-disciplinary decision such as time and not all parties agreeing, a solution is eventually made to benefit all parties and to resolve a problem. Without multi-disciplinary approaches in society and everyday life, we would not be able to get outside information to make better life choices and decisions.Works Cited â€Å"Disciplinary. † Def. Webster’s American Dictionary. College Edition. 1997. Print. â€Å"Multidisciplinary. † Def. Webster’s American Dictionary. College Edition. 1997. Print.

A Game of Thrones Chapter Twenty-six

Jon Jon was showing Dareon how best to deliver a sidestroke when the new recruit entered the practice yard. â€Å"Your feet should be farther apart,† he urged. â€Å"You don't want to lose your balance. That's good. Now pivot as you deliver the stroke, get all your weight behind the blade.† Dareon broke off and lifted his visor. â€Å"Seven gods,† he murmured. â€Å"Would you look at this, Jon.† Jon turned. Through the eye slit of his helm, he beheld the fattest boy he had ever seen standing in the door of the armory. By the look of him, he must have weighed twenty stone. The fur collar of his embroidered surcoat was lost beneath his chins. Pale eyes moved nervously in a great round moon of a face, and plump sweaty fingers wiped themselves on the velvet of his doublet. â€Å"They . . . they told me I was to come here for . . . for training,† he said to no one in particular. â€Å"A lordling,† Pyp observed to Jon. â€Å"Southron, most like near Highgarden.† Pyp had traveled the Seven Kingdoms with a mummers' troupe, and bragged that he could tell what you were and where you'd been born just from the sound of your voice. A striding huntsman had been worked in scarlet thread upon the breast of the fat boy's fur-trimmed surcoat. Jon did not recognize the sigil. Ser Alliser Thorne looked over his new charge and said, â€Å"It would seem they have run short of poachers and thieves down south. Now they send us pigs to man the Wall. Is fur and velvet your notion of armor, my Lord of Ham?† It was soon revealed that the new recruit had brought his own armor with him; padded doublet, boiled leather, mail and plate and helm, even a great wood-and-leather shield blazoned with the same striding huntsman he wore on his surcoat. As none of it was black, however, Ser Alliser insisted that he reequip himself from the armory. That took half the morning. His girth required Donal Noye to take apart a mail hauberk and refit it with leather panels at the sides. To get a helm over his head the armorer had to detach the visor. His leathers bound so tightly around his legs and under his arms that he could scarcely move. Dressed for battle, the new boy looked like an overcooked sausage about to burst its skin. â€Å"Let us hope you are not as inept as you look,† Ser Alliser said. â€Å"Halder, see what Ser Piggy can do.† Jon Snow winced. Halder had been born in a quarry and apprenticed as a stonemason. He was sixteen, tall and muscular, and his blows were as hard as any Jon had ever felt. â€Å"This will be uglier than a whore's ass,† Pyp muttered, and it was. The fight lasted less than a minute before the fat boy was on the ground, his whole body shaking as blood leaked through his shattered helm and between his pudgy fingers. â€Å"I yield,† he shrilled. â€Å"No more, I yield, don't hit me.† Rast and some of the other boys were laughing. Even then, Ser Alliser would not call an end. â€Å"On your feet, Ser Piggy,† he called. â€Å"Pick up your sword.† When the boy continued to cling to the ground, Thorne gestured to Halder. â€Å"Hit him with the flat of your blade until he finds his feet.† Halder delivered a tentative smack to his foe's upraised cheeks. â€Å"You can hit harder than that,† Thorne taunted. Halder took hold of his longsword with both hands and brought it down so hard the blow split leather, even on the flat. The new boy screeched in pain. Jon Snow took a step forward. Pyp laid a mailed hand on his arm. â€Å"Jon, no,† the small boy whispered with an anxious glance at Ser Alliser Thorne. â€Å"On your feet,† Thorne repeated. The fat boy struggled to rise, slipped, and fell heavily again. â€Å"Ser Piggy is starting to grasp the notion,† Ser Alliser observed. â€Å"Again.† Halder lifted the sword for another blow. â€Å"Cut us off a ham!† Rast urged, laughing. Jon shook off Pyp's hand. â€Å"Halder, enough.† Halder looked to Ser Alliser. â€Å"The Bastard speaks and the peasants tremble,† the master-at-arms said in that sharp, cold voice of his. â€Å"I remind you that I am the master-at-arms here, Lord Snow.† â€Å"Look at him, Halder,† Jon urged, ignoring Thorne as best he could. â€Å"There's no honor in beating a fallen foe. He yielded.† He knelt beside the fat boy. Halder lowered his sword. â€Å"He yielded,† he echoed. Ser Alliser's onyx eyes were fixed on Jon Snow. â€Å"It would seem our Bastard is in love,† he said as Jon helped the fat boy to his feet. â€Å"Show me your steel, Lord Snow.† Jon drew his longsword. He dared defy Ser Alliser only to a point, and he feared he was well beyond it now. Thorne smiled. â€Å"The Bastard wishes to defend his lady love, so we shall make an exercise of it. Rat, Pimple, help our Stone Head here.† Rast and Albett moved to join Halder. â€Å"Three of you ought to be sufficient to make Lady Piggy squeal. All you need do is get past the Bastard.† â€Å"Stay behind me,† Jon said to the fat boy. Ser Alliser had often sent two foes against him, but never three. He knew he would likely go to sleep bruised and bloody tonight. He braced himself for the assault. Suddenly Pyp was beside him. â€Å"Three to two will make for better sport,† the small boy said cheerfully. He dropped his visor and slid out his sword. Before Jon could even think to protest, Grenn had stepped up to make a third. The yard had grown deathly quiet. Jon could feel Ser Alliser's eyes. â€Å"Why are you waiting?† he asked Rast and the others in a voice gone deceptively soft, but it was Jon who moved first. Halder barely got his sword up in time. Jon drove him backward, attacking with every blow, keeping the older boy on the heels. Know your foe, Ser Rodrik had taught him once; Jon knew Halder, brutally strong but short of patience, with no taste for defense. Frustrate him, and he would leave himself open, as certain as sunset. The clang of steel echoed through the yard as the others joined battle around him. Jon blocked a savage cut at his head, the shock of impact running up his arm as the swords crashed together. He slammed a sidestroke into Halder's ribs, and was rewarded with a muffled grunt of pain. The counterstroke caught Jon on the shoulder. Chainmail crunched, and pain flared up his neck, but for an instant Halder was unbalanced. Jon cut his left leg from under him, and he fell with a curse and a crash. Grenn was standing his ground as Jon had taught him, giving Albett more than he cared for, but Pyp was hard-pressed. Rast had two years and forty pounds on him. Jon stepped up behind him and rang the raper's helm like a bell. As Rast went reeling, Pyp slid in under his guard, knocked him down, and leveled a blade at his throat. By then Jon had moved on. Facing two swords, Albett backed away. â€Å"I yield,† he shouted. Ser Alliser Thorne surveyed the scene with disgust. â€Å"The mummer's farce has gone on long enough for today.† He walked away. The session was at an end. Dareon helped Halder to his feet. The quarryman's son wrenched off his helm and threw it across the yard. â€Å"For an instant, I thought I finally had you, Snow.† â€Å"For an instant, you did,† Jon replied. Under his mail and leather, his shoulder was throbbing. He sheathed his sword and tried to remove his helm, but when he raised his arm, the pain made him grit his teeth. â€Å"Let me,† a voice said. Thick-fingered hands unfastened helm from gorget and lifted it off gently. â€Å"Did he hurt you?† â€Å"I've been bruised before.† He touched his shoulder and winced. The yard was emptying around them. Blood matted the fat boy's hair where Halder had split his helm asunder. â€Å"My name is Samwell Tarly, of Horn . . . † He stopped and licked his lips. â€Å"I mean, I was of Horn Hill, until I . . . left. I've come to take the black. My father is Lord Randyll, a bannerman to the Tyrells of Highgarden. I used to be his heir, only . . . † His voice trailed off. â€Å"I'm Jon Snow, Ned Stark's bastard, of Winterfell.† Samwell Tarly nodded. â€Å"I . . . if you want, you can call me Sam. My mother calls me Sam.† â€Å"You can call him Lord Snow,† Pyp said as he came up to join them. â€Å"You don't want to know what his mother calls him.† â€Å"These two are Grenn and Pypar,† Jon said. â€Å"Grenn's the ugly one,† Pyp said. Grenn scowled. â€Å"You're uglier than me. At least I don't have ears like a bat.† â€Å"My thanks to all of you,† the fat boy said gravely. â€Å"Why didn't you get up and fight?† Grenn demanded. â€Å"I wanted to, truly. I just . . . I couldn't. I didn't want him to hit me anymore.† He looked at the ground. â€Å"I . . . I fear I'm a coward. My lord father always said so.† Grenn looked thunderstruck. Even Pyp had no words to say to that, and Pyp had words for everything. What sort of man would proclaim himself a coward? Samwell Tarly must have read their thoughts on their faces. His eyes met Jon's and darted away, quick as frightened animals. â€Å"I . . . I'm sorry,† he said. â€Å"I don't mean to . . . to be like I am.† He walked heavily toward the armory. Jon called after him. â€Å"You were hurt,† he said. â€Å"Tomorrow you'll do better.† Sam looked mournfully back over one shoulder. â€Å"No I won't,† he said, blinking back tears. â€Å"I never do better.† When he was gone, Grenn frowned. â€Å"Nobody likes cravens,† he said uncomfortably. â€Å"I wish we hadn't helped him. What if they think we're craven too?† â€Å"You're too stupid to be craven,† Pyp told him. â€Å"I am not,† Grenn said. â€Å"Yes you are. If a bear attacked you in the woods, you'd be too stupid to run away.† â€Å"I would not,† Grenn insisted. â€Å"I'd run away faster than you.† He stopped suddenly, scowling when he saw Pyp's grin and realized what he'd just said. His thick neck flushed a dark red. Jon left them there arguing as he returned to the armory, hung up his sword, and stripped off his battered armor. Life at Castle Black followed certain patterns; the mornings were for swordplay, the afternoons for work. The black brothers set new recruits to many different tasks, to learn where their skills lay. Jon cherished the rare afternoons when he was sent out with Ghost ranging at his side to bring back game for the Lord Commander's table, but for every day spent hunting, he gave a dozen to Donal Noye in the armory, spinning the whetstone while the one-armed smith sharpened axes grown dull from use, or pumping the bellows as Noye hammered out a new sword. Other times he ran messages, stood at guard, mucked out stables, fletched arrows, assisted Maester Aemon with his birds or Bowen Marsh with his counts and inventories. That afternoon, the watch commander sent him to the winch cage with four barrels of fresh-crushed stone, to scatter gravel over the icy footpaths atop the Wall. It was lonely and boring work, even with Ghost along for company, but Jon found he did not mind. On a clear day you could see half the world from the top of the Wall, and the air was always cold and bracing. He could think here, and he found himself thinking of Samwell Tarly . . . and, oddly, of Tyrion Lannister. He wondered what Tyrion would have made of the fat boy. Most men would rather deny a hard truth than face it, the dwarf had told him, grinning. The world was full of cravens who pretended to be heroes; it took a queer sort of courage to admit to cowardice as Samwell Tarly had. His sore shoulder made the work go slowly. It was late afternoon before Jon finished graveling the paths. He lingered on high to watch the sun go down, turning the western sky the color of blood. Finally, as dusk was settling over the north, Jon rolled the empty barrels back into the cage and signaled the winch men to lower him. The evening meal was almost done by the time he and Ghost reached the common hall. A group of the black brothers were dicing over mulled wine near the fire. His friends were at the bench nearest the west wall, laughing. Pyp was in the middle of a story. The mummer's boy with the big ears was a born liar with a hundred different voices, and he did not tell his tales so much as live them, playing all the parts as needed, a king one moment and a swineherd the next. When he turned into an alehouse girl or a virgin princess, he used a high falsetto voice that reduced them all to tears of helpless laughter, and his eunuchs were always eerily accurate caricatures of Ser Alliser. Jon took as much pleasure from Pyp's antics as anyone . . . yet that night he turned away and went instead to the end of the bench, where Samwell Tarly sat alone, as far from the others as he could get. He was finishing the last of the pork pie the cooks had served up for supper when Jon sat down across from him. The fat boy's eyes widened at the sight of Ghost. â€Å"Is that a wolf?† â€Å"A direwolf,† Jon said. â€Å"His name is Ghost. The direwolf is the sigil of my father's House.† â€Å"Ours is a striding huntsman,† Samwell Tarly said. â€Å"Do you like to hunt?† The fat boy shuddered. â€Å"I hate it.† He looked as though he was going to cry again. â€Å"What's wrong now?† Jon asked him. â€Å"Why are you always so frightened?† Sam stared at the last of his pork pie and gave a feeble shake of his head, too scared even to talk. A burst of laughter filled the hall. Jon heard Pyp squeaking in a high voice. He stood. â€Å"Let's go outside.† The round fat face looked up at him, suspicious. â€Å"Why? What will we do outside?† â€Å"Talk,† Jon said. â€Å"Have you seen the Wall?† â€Å"I'm fat, not blind,† Samwell Tarly said. â€Å"Of course I saw it, it's seven hundred feet high.† Yet he stood up all the same, wrapped a fur-lined cloak over his shoulders, and followed Jon from the common hall, still wary, as if he suspected some cruel trick was waiting for him in the night. Ghost padded along beside them. â€Å"I never thought it would be like this,† Sam said as they walked, his words steaming in the cold air. Already he was huffing and puffing as he tried to keep up. â€Å"All the buildings are falling down, and it's so . . . so . . . â€Å" â€Å"Cold?† A hard frost was settling over the castle, and Jon could hear the soft crunch of grey weeds beneath his boots. Sam nodded miserably. â€Å"I hate the cold,† he said. â€Å"Last night I woke up in the dark and the fire had gone out and I was certain I was going to freeze to death by morning.† â€Å"It must have been warmer where you come from.† â€Å"I never saw snow until last month. We were crossing the barrowlands, me and the men my father sent to see me north, and this white stuff began to fall, like a soft rain. At first I thought it was so beautiful, like feathers drifting from the sky, but it kept on and on, until I was frozen to the bone. The men had crusts of snow in their beards and more on their shoulders, and still it kept coming. I was afraid it would never end.† Jon smiled. The Wall loomed before them, glimmering palely in the light of the half moon. In the sky above, the stars burned clear and sharp. â€Å"Are they going to make me go up there?† Sam asked. His face curdled like old milk as he looked at the great wooden stairs. â€Å"I'll die if I have to climb that.† â€Å"There's a winch,† Jon said, pointing. â€Å"They can draw you up in a cage.† Samwell Tarly sniffled. â€Å"I don't like high places.† It was too much. Jon frowned, incredulous. â€Å"Are you afraid of everything?† he asked. â€Å"I don't understand. If you are truly so craven, why are you here? Why would a coward want to join the Night's Watch?† Samwell Tarly looked at him for a long moment, and his round face seemed to cave in on itself. He sat down on the frost-covered ground and began to cry, huge choking sobs that made his whole body shake. Jon Snow could only stand and watch. Like the snowfall on the barrowlands, it seemed the tears would never end. It was Ghost who knew what to do. Silent as shadow, the pale direwolf moved closer and began to lick the warm tears off Samwell Tarly's face. The fat boy cried out, startled . . . and somehow, in a heartbeat, his sobs turned to laughter. Jon Snow laughed with him. Afterward they sat on the frozen ground, huddled in their cloaks with Ghost between them. Jon told the story of how he and Robb had found the pups newborn in the late summer snows. It seemed a thousand years ago now. Before long he found himself talking of Winterfell. â€Å"Sometimes I dream about it,† he said. â€Å"I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle.† The thought of Benjen Stark saddened him; his uncle was still missing. The Old Bear had sent out rangers in search of him. Ser Jaremy Rykker had led two sweeps, and Quorin Halfhand had gone forth from the Shadow Tower, but they'd found nothing aside from a few blazes in the trees that his uncle had left to mark his way. In the stony highlands to the northwest, the marks stopped abruptly and all trace of Ben Stark vanished. â€Å"Do you ever find anyone in your dream?† Sam asked. Jon shook his head. â€Å"No one. The castle is always empty.† He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. â€Å"Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream.† He stopped, frowning, embarrassed. â€Å"That's when I always wake.† His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf s shaggy white fur. â€Å"Do you dream of Horn Hill?† Jon asked. â€Å"No.† Sam's mouth grew tight and hard. â€Å"I hated it there.† He scratched Ghost behind the ear, brooding, and Jon let the silence breathe. After a long while Samwell Tarly began to talk, and Jon Snow listened quietly, and learned how it was that a self-confessed coward found himself on the Wall. The Tarlys were a family old in honor, bannermen to Mace Tyrell, Lord of Highgarden and Warden of the South. The eldest son of Lord Randyll Tarly, Samwell was born heir to rich lands, a strong keep, and a storied two-handed greatsword named Heartsbane, forged of Valyrian steel and passed down from father to son near five hundred years. Whatever pride his lord father might have felt at Samwell's birth vanished as the boy grew up plump, soft, and awkward. Sam loved to listen to music and make his own songs, to wear soft velvets, to play in the castle kitchen beside the cooks, drinking in the rich smells as he snitched lemon cakes and blueberry tarts. His passions were books and kittens and dancing, clumsy as he was. But he grew ill at the sight of blood, and wept to see even a chicken slaughtered. A dozen masters-at-arms came and went at Horn Hill, trying to turn Samwell into the knight his father wanted. The boy was cursed and caned, slapped and starved. One man had him sleep in his chainmail to make him more martial. Another dressed him in his mother's clothing and paraded him through the bailey to shame him into valor. He only grew fatter and more frightened, until Lord Randyll's disappointment turned to anger and then to loathing. â€Å"One time,† Sam confided, his voice dropping from a whisper, â€Å"two men came to the castle, warlocks from Qarth with white skin and blue lips. They slaughtered a bull aurochs and made me bathe in the hot blood, but it didn't make me brave as they'd promised. I got sick and retched. Father had them scourged.† Finally, after three girls in as many years, Lady Tarly gave her lord husband a second son. From that day, Lord Randyll ignored Sam, devoting all his time to the younger boy, a fierce, robust child more to his liking. Samwell had known several years of sweet peace with his music and his books. Until the dawn of his fifteenth name day, when he had been awakened to find his horse saddled and ready. Three men-at-arms had escorted him into a wood near Horn Hill, where his father was skinning a deer. â€Å"You are almost a man grown now, and my heir,† Lord Randyll Tarly had told his eldest son, his long knife laying bare the carcass as he spoke. â€Å"You have given me no cause to disown you, but neither will I allow you to inherit the land and title that should be Dickon's. Heartsbane must go to a man strong enough to wield her, and you are not worthy to touch her hilt. So I have decided that you shall this day announce that you wish to take the black. You will forsake all claim to your brother's inheritance and start north before evenfall. â€Å"If you do not, then on the morrow we shall have a hunt, and somewhere in these woods your horse will stumble, and you will be thrown from the saddle to die . . . or so I will tell your mother. She has a woman's heart and finds it in her to cherish even you, and I have no wish to cause her pain. Please do not imagine that it will truly be that easy, should you think to defy me. Nothing would please me more than to hunt you down like the pig you are.† His arms were red to the elbow as he laid the skinning knife aside. â€Å"So. There is your choice. The Night's Watch†Ã¢â‚¬â€he reached inside the deer, ripped out its heart, and held it in his fist, red and dripping—†or this.† Sam told the tale in a calm, dead voice, as if it were something that had happened to someone else, not to him. And strangely, Jon thought, he did not weep, not even once. When he was done, they sat together and listened to the wind for a time. There was no other sound in all the world. Finally Jon said, â€Å"We should go back to the common hall.† â€Å"Why?† Sam asked. Jon shrugged. â€Å"There's hot cider to drink, or mulled wine if you prefer. Some nights Dareon sings for us, if the mood is on him. He was a singer, before . . . well, not truly, but almost, an apprentice singer.† â€Å"How did he come here?† Sam asked. â€Å"Lord Rowan of Goldengrove found him in bed with his daughter. The girl was two years older, and Dareon swears she helped him through her window, but under her father's eye she named it rape, so here he is. When Maester Aemon heard him sing, he said his voice was honey poured over thunder.† Jon smiled. â€Å"Toad sometimes sings too, if you call it singing. Drinking songs he learned in his father's winesink. Pyp says his voice is piss poured over a fart.† They laughed at that together. â€Å"I should like to hear them both,† Sam admitted, â€Å"but they would not want me there.† His face was troubled. â€Å"He's going to make me fight again on the morrow, isn't he?† â€Å"He is,† Jon was forced to say. Sam got awkwardly to his feet. â€Å"I had better try to sleep.† He huddled down in his cloak and plodded off. The others were still in the common room when Jon returned, alone but for Ghost. â€Å"Where have you been?† Pyp asked. â€Å"Talking with Sam,† he said. â€Å"He truly is craven,† said Grenn. â€Å"At supper, there were still places on the bench when he got his pie, but he was too scared to come sit with us.† â€Å"The Lord of Ham thinks he's too good to eat with the likes of us,† suggested Jeren. â€Å"I saw him eat a pork pie,† Toad said, smirking. â€Å"Do you think it was a brother?† He began to make oinking noises. â€Å"Stop it!† Jon snapped angrily. The other boys fell silent, taken aback by his sudden fury. â€Å"Listen to me,† Jon said into the quiet, and he told them how it was going to be. Pyp backed him, as he'd known he would, but when Halder spoke up, it was a pleasant surprise. Grenn was anxious at the first, but Jon knew the words to move him. One by one the rest fell in line. Jon persuaded some, cajoled some, shamed the others, made threats where threats were required. At the end they had all agreed . . . all but Rast. â€Å"You girls do as you please,† Rast said, â€Å"but if Thorne sends me against Lady Piggy, I'm going to slice me off a rasher of bacon.† He laughed in Jon's face and left them there. Hours later, as the castle slept, three of them paid a call on his cell. Grenn held his arms while Pyp sat on his legs. Jon could hear Rast's rapid breathing as Ghost leapt onto his chest. The direwolf's eyes burned red as embers as his teeth nipped lightly at the soft skin of the boy's throat, just enough to draw blood. â€Å"Remember, we know where you sleep,† Jon said softly. The next morning Jon heard Rast tell Albett and Toad how his razor had slipped while he shaved. From that day forth, neither Rast nor any of the others would hurt Samwell Tarly. When Ser Alliser matched them against him, they would stand their ground and swat aside his slow, clumsy strokes. If the master-at-arms screamed for an attack, they would dance in and tap Sam lightly on breastplate or helm or leg. Ser Alliser raged and threatened and called them all cravens and women and worse, yet Sam remained unhurt. A few nights later, at Jon's urging, he joined them for the evening meal, taking a place on the bench beside Halder. It was another fortnight before he found the nerve to join their talk, but in time he was laughing at Pyp's faces and teasing Grenn with the best of them. Fat and awkward and frightened he might be, but Samwell Tarly was no fool. One night he visited Jon in his cell. â€Å"I don't know what you did,† he said, â€Å"but I know you did it.† He looked away shyly. â€Å"I've never had a friend before.† â€Å"We're not friends,† Jon said. He put a hand on Sam's broad shoulder. â€Å"We're brothers.† And so they were, he thought to himself after Sam had taken his leave. Robb and Bran and Rickon were his father's sons, and he loved them still, yet Jon knew that he had never truly been one of them. Catelyn Stark had seen to that. The grey walls of Winterfell might still haunt his dreams, but Castle Black was his life now, and his brothers were Sam and Grenn and Halder and Pyp and the other cast-outs who wore the black of the Night's Watch. â€Å"My uncle spoke truly,† he whispered to Ghost. He wondered if he would ever see Benjen Stark again, to tell him.